There's an emotional depth to the performances and a vibrancy to the production here that one can't help but admire. Steakley makes very clever choices with the material, elevating the show in certain areas to make it more palatable even to its detractors, bringing the beating heart of the piece to fore to create a very successful production.
‘Take Care of My Friend’ is a touching, heartbreaking, and surprisingly funny look into life with mental health issues
Raw, unflinching, and bone deep, Take Care of my Friend is a powerful, brave work...The balance between somberness and humor is a remarkable achievement, as Fletcher adds brightness to long stretches of darkness to remind us all that no matter how shadowy the path we walk may be, there is always light to be found.
Doctuh Mistuh’s ‘Toxic Avenger’ is a charming, if crude, laugh-a-minute riot
Elevated by a winning cast, Doctuh Mistuh's Toxic Avenger is surprisingly charming, constantly hilarious, and shockingly well-designed. The comedy may not always hit, and some of the props show their budget, but on the whole the journey through the dirty streets of Tromaville is a worthwhile one, even for those who aren't acolytes of Kaufman and his works.
Powerful performances highlight Hyde Park’s pristine production of Pinter’s ‘Betrayal’
Betrayal is an intense piece of emotional intrigue where the clever minimalist set merges with the smart, subtle, but potent performances from its cast to create a stunning dance of romance, deception, and, indeed, betrayal.
Doctuh Mistuh’s ‘Lizzie’ is a dark, punk-infused look at one of history’s most controversial women
Those willing to plunge themselves in the dark, brooding, dangerous world of the blood-soaked wonderland of Lizzie the Musical will be absolutely entranced by the artistry and worldbuilding on display, drowning in the whirlpool of absolute talent.
AUSTIN ARTS WATCH 