Raw, unflinching, and bone deep, Take Care of my Friend is a powerful, brave work...The balance between somberness and humor is a remarkable achievement, as Fletcher adds brightness to long stretches of darkness to remind us all that no matter how shadowy the path we walk may be, there is always light to be found.
Doctuh Mistuh’s ‘Toxic Avenger’ is a charming, if crude, laugh-a-minute riot
Elevated by a winning cast, Doctuh Mistuh's Toxic Avenger is surprisingly charming, constantly hilarious, and shockingly well-designed. The comedy may not always hit, and some of the props show their budget, but on the whole the journey through the dirty streets of Tromaville is a worthwhile one, even for those who aren't acolytes of Kaufman and his works.
Powerful performances highlight Hyde Park’s pristine production of Pinter’s ‘Betrayal’
Betrayal is an intense piece of emotional intrigue where the clever minimalist set merges with the smart, subtle, but potent performances from its cast to create a stunning dance of romance, deception, and, indeed, betrayal.
Doctuh Mistuh’s ‘Lizzie’ is a dark, punk-infused look at one of history’s most controversial women
Those willing to plunge themselves in the dark, brooding, dangerous world of the blood-soaked wonderland of Lizzie the Musical will be absolutely entranced by the artistry and worldbuilding on display, drowning in the whirlpool of absolute talent.
Austin Playhouse turns Hamlet on its head in the sensitive, hilarious ‘Fat Ham’
Director Ben Wolfe and his talented cast and crew have created the perfect work for this moment, a celebration of the outsiders, the weirdos, those thought too sensitive, too loud, who take up too much space, who try to walk a path all their own. It's the perfect piece to celebrate this Pride Month, raising up queer voices and showing how our softness can also be our strength.
AUSTIN ARTS WATCH 