Raw, unflinching, and bone deep, Take Care of my Friend is a powerful, brave work...The balance between somberness and humor is a remarkable achievement, as Fletcher adds brightness to long stretches of darkness to remind us all that no matter how shadowy the path we walk may be, there is always light to be found.
Powerful performances highlight Hyde Park’s pristine production of Pinter’s ‘Betrayal’
Betrayal is an intense piece of emotional intrigue where the clever minimalist set merges with the smart, subtle, but potent performances from its cast to create a stunning dance of romance, deception, and, indeed, betrayal.
‘Unbury Your Gays’ is a poignant, all-too-relevant look at queer longing (with a fantasy twist)
Unbury Your Gays is both a joy and a heartbreak to watch. It captures the sense of awkward, freewheeling whimsy of teen-hood, while also exploring the specific loneliness of queer desire. The honesty and nuance of these performances are really something to behold, all held up by a script and production team that make numerous smart choices to create a breathtaking world. It's the perfect way to greet this year's Pride Month, and a fine feather in the cap of one of Austin's most promising up-and-coming companies.
Ground Floor’s ‘I Wanna Be a F*cking Princess’ is a humorous, harrowing, but heartfelt, ode to womanhood
I Wanna Be a F*cking Princess is a profound examination of what it means to be a woman in today's society, full of earnest and heartfelt performances from an exquisitely chosen cast of some of Austin's best actresses.
Dirty Gold’s ‘Venus in Fur’ is a smartly-crafted, scintillating battle of the sexes with a clever, courageous cast
Venus in Fur is an absolute wonder, a smart, sexy, stunning work, where it's obvious that everyone involved is completely committed to the vision, featuring some of the best performances I've seen this year.
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