Raw, unflinching, and bone deep, Take Care of my Friend is a powerful, brave work...The balance between somberness and humor is a remarkable achievement, as Fletcher adds brightness to long stretches of darkness to remind us all that no matter how shadowy the path we walk may be, there is always light to be found.
Powerful performances highlight Hyde Park’s pristine production of Pinter’s ‘Betrayal’
Betrayal is an intense piece of emotional intrigue where the clever minimalist set merges with the smart, subtle, but potent performances from its cast to create a stunning dance of romance, deception, and, indeed, betrayal.
Ground Floor’s ‘I Wanna Be a F*cking Princess’ is a humorous, harrowing, but heartfelt, ode to womanhood
I Wanna Be a F*cking Princess is a profound examination of what it means to be a woman in today's society, full of earnest and heartfelt performances from an exquisitely chosen cast of some of Austin's best actresses.
Hyde Park Theatre’s ‘Caught’ is an enigmatic, mentally demanding masterstroke
A curious feeling came over me as I left "Caught" the latest production of Hyde Park Theatre. Typically, when leaving a production, I have a general idea of the shape and character of a review, particular points I would bring up to give a reader an idea of what to expect from a work. "Caught", … Continue reading Hyde Park Theatre’s ‘Caught’ is an enigmatic, mentally demanding masterstroke
“Wraith Radio” is a scrappy punk masterpiece
As Bottle Alley's fine fable of loss and grief played out, it felt less like a work of theatre and more like a communal ritual, a ceremonial rite bursting with youthful vigor and punk exuberance that left its audience sweat-drenched, tear-stained, and breathless.
AUSTIN ARTS WATCH 